MUSJAZZ 2102 - Jazz Musicianship 2B

North Terrace Campus - Semester 2 - 2022

Jazz theory, improvisation and arranging will all be delivered in this course through study of relevant texts, audio and video files, musical scores and transcribed solos. 2B will expand upon the language of jazz used over specific styles including bebop, modal and ballad playing as well as how to build solos through interaction with the rhythm section. Jazz arranging further explores techniques of rhythmic, melodic, harmonic and textural elements for small and medium-size jazz ensembles. Three and four-part harmonisation of melodies for the mixed horn section will be studied. Practical application is made of the study of the rhythm section, mixed five-horn section (harmonised and in unison), the sketch score and score layout. Further study of the styles of contemporary arrangers and composer are also included.

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Course Details

Course Code	MUSJAZZ 2102
Course	Jazz Musicianship 2B
Coordinating Unit	Elder Conservatorium of Music
Term	Semester 2
Level	Undergraduate
Location/s	North Terrace Campus
Units	3
Contact	Up to 3 hours per week
Available for Study Abroad and Exchange	Y
Prerequisites	MUSSUPST 1001, MUSSUPST 1002, MUSJAZZ 2101
Incompatible	MUSJAZZ 2400B, MUSJAZZ 2500B
Assessment	3 x Voicing assignments 5% each, Major five horn project 25%, Harmonic analysis assignment 10%, Composition assignment 10%, Exam 40%

Course Staff

Course Coordinator: Mr James Muller

Course Timetable

The full timetable of all activities for this course can be accessed from .

Course Learning Outcomes

COURSE LEARNING OUTCOMES 1. Develop practical skills on instrument/voice to execute jazz language in various tunes list tunes as an extension from skills acquired in Jazz Musicianship 2A. 2. Develop awareness and general knowledge of solo construction beyond standard song forms. 3. Develop a practical application of tendencies and patterns in the jazz repertoire through investigative study of advanced melodic and harmonic concepts beyond bebop and swing. 4. Develop skills in creative jazz soloing and group interplay in a modern context. 5. Develop skills in specific styles including bebop, swing, ballads, contemporary and odd time signatures. 6. Develop critical problem solving through study of transcribed solos and critical listening through audio and video files. 7. Develop awareness and practical skills in African-American rhythms and awareness of rhythm section accompaniment including linear drumming.

University Graduate Attributes

This course will provide students with an opportunity to develop the Graduate Attribute(s) specified below:

University Graduate Attribute	Course Learning Outcome(s)
Attribute 1: Deep discipline knowledge and intellectual breadth Graduates have comprehensive knowledge and understanding of their subject area, the ability to engage with different traditions of thought, and the ability to apply their knowledge in practice including in multi-disciplinary or multi-professional contexts.	1, 2, 3, 4, 7
Attribute 2: Creative and critical thinking, and problem solving Graduates are effective problems-solvers, able to apply critical, creative and evidence-based thinking to conceive innovative responses to future challenges.	2, 3, 4
Attribute 3: Teamwork and communication skills Graduates convey ideas and information effectively to a range of audiences for a variety of purposes and contribute in a positive and collaborative manner to achieving common goals.	7, 8, 9
Attribute 4: Professionalism and leadership readiness Graduates engage in professional behaviour and have the potential to be entrepreneurial and take leadership roles in their chosen occupations or careers and communities.	8, 9, 10
Attribute 5: Intercultural and ethical competency Graduates are responsible and effective global citizens whose personal values and practices are consistent with their roles as responsible members of society.	7
Attribute 8: Self-awareness and emotional intelligence Graduates are self-aware and reflective; they are flexible and resilient and have the capacity to accept and give constructive feedback; they act with integrity and take responsibility for their actions.	1, 2, 3, 6

Learning Resources

Required Resources

The ‘required text’ for theoretical and improvisational aspects of this course is in part provided primarily by the Lecturer, delivered in class and through distribution of practical exercises in Sibelius files via email and MyUni. For the arranging component, ‘Jazz Arranging Techniques’ by Gary Lindsay (www.lindsayjazz.com)

Recommended Resources

RECOMMENDED RESOURCES Campbell, Gary Expansions & Triad Pairs Baker, David How to Play Bebop I, II, III Bergonzi, Jerry Inside Improvisation Series (all volumes) Werner, Kenny Effortless Mastery ‘Modern Jazz Voicings’ by Ted Pease and Ken Pullig (Berklee Press) ‘Jazz Arranging & Composing - A Linear Approach’ by Bill Dobbins (Advance Music) Recordings of small to medium-sized ensembles led by arrangers such as: Gerry Mulligan, Marty Paitch, Art Blakey, Miles Davis, Bill Holman, Bob Brookmeyer, Oliver Nelson and others. General Reference Hearle, Dan Jazz Language Levine, Mark The Jazz Theory Book 1. CD recordings of 2nd Year Tunes List (provided by the Lecturer) 2. Real Books and Standard Tune fake books 3. CD and DVD recordings of various artists in bebop style Regular listening to performances of works being studied is required. Students can also listen to works through the library's Naxos subscription (see library catalogue, search using Naxos as the title and limit search to ‘electronic resources’. You will be prompted to enter your uni ID number and password to access the Naxos catalogue). There is a wealth of material available for listening (but not downloading). The link to the Naxos catalogue is as follows: http://proxy.library.adelaide.edu.au/login?url=http://uoa.naxosmusiclibrary.com/

Online Learning

ONLINE LEARNING This Course Profile will be placed on MyUni together with assignments and other relevant Course information.
Learning & Teaching Activities

Learning & Teaching Modes

Lectures and workshops for theory, improvisation and arranging are teaching and learning modes as well as online access to some shared materials.

Workload

The information below is provided as a guide to assist students in engaging appropriately with the course requirements.

The information below is provided as a guide to assist students in engaging appropriately with the course requirements.
In addition to the required contact hours, students are expected to study the materials presented and apply them to assignments, tunes list tunes and their playing and arranging in general. It is anticipated that students will need to spend 3-4 hours per week in reviewing lecture notes, preparing for tutorials, listening to repertoire, preparing assignments and undertaking suggested readings.

Learning Activities Summary

Lecture Content for theory and improvisation: Lectures will be given to outline the following material: Soloing in various styles including swing, bebop, Latin, ballad, contemporary and modal styles at various tempi; harmonic and melodic awareness; knowledge of II V I’s; thematic development; solo line writing; developing listening skills; group interplay; inner hearing; internalizing standard jazz language; cadences; resolutions; tension & release; group awareness; solo structure; solo intensification; recovering from mistakes; constructing synchronized lines; cadenzas; playing ‘outside’ the changes; delivering a ballad melody and solo; modal soloing. Analysis of song forms and transcribed solos, Lecture Content for arranging: Analysis of an arrangement by means of a timeline, study of recordings and scores of contemporary arrangers and composers Chord charts, Calligraphy, Writing swing rhythms Score and Parts Layout Rhythm section arrangements Unisons and Octaves: blending Brass with Woodwinds Jazz Articulations Blending Brass and Reeds Melodic Embellishment Arrange a tune for five horns (blending in unisonsnd octaves) plus rhythm section Two and Three-part horn voicingPlease note: A working knowledge of Sibelius or Finale notation software is required

Specific Course Requirements

A working knowledge of Sibelius is required.

The University's policy on Assessment for Coursework Programs is based on the following four principles:

Assessment must encourage and reinforce learning.
Assessment must enable robust and fair judgements about student performance.
Assessment practices must be fair and equitable to students and give them the opportunity to demonstrate what they have learned.
Assessment must maintain academic standards.

Assessment Summary

The exam will include (among other others) melodic and harmonic analysis, and will also include an aural component as well as a practical component demonstrating techniques discussed in class, this is 40% of the course mark. There are five assignments totalling 60% of the course mark including performing a tunes list tune discussed in class, writing a three part voicing in fourths, a four part harmonised melody, a five part harmonsied melody and a major assignment with five horns and rhythm section.

Assessment Related Requirements

REQUIREMENTS In this course, penalties apply for any absences which are not formally approved, as outlined in the Conservatorium’s Student Participation and Attendance Leave Guidelines (see following). Leave Application forms are available from the Music Office and can be downloaded from the Music website – see http://music.adelaide.edu.au/study/current/leave.pdf.

Assessment Detail

ASSESSMENT (Summative) Task Type Weighting Learning Outcomes Addressed

Perform Piece Formative 10% 1, 2, 3, 6

8-bar, 4-part harmony exercise Formative 10% 4, 5, 6

8-bar, 4-part plus Double Lead exercise Formative 10% 6

5-horn and rhythm section Major Project Formative 30% 3, 5, 6

Exam Summative 40% 1, 2, 3, 4, 5, 6, 7

Submission

Students must be available during the identified University examination periods. Students are not entitled to sit an examination at another time, nor are they entitled to any other concessions if an examination conflicts with a planned vacation or special event.

Course Grading

Grades for your performance in this course will be awarded in accordance with the following scheme:

M10 (Coursework Mark Scheme)
Grade	Mark	Description
FNS		Fail No Submission
F	1-49	Fail
P	50-64	Pass
C	65-74	Credit
D	75-84	Distinction
HD	85-100	High Distinction
CN		Continuing
NFE		No Formal Examination
RP		Result Pending

Further details of the grades/results can be obtained from Examinations.

Grade Descriptors are available which provide a general guide to the standard of work that is expected at each grade level. More information at Assessment for Coursework Programs.

Final results for this course will be made available through .

Student Feedback

The University places a high priority on approaches to learning and teaching that enhance the student experience. Feedback is sought from students in a variety of ways including on-going engagement with staff, the use of online discussion boards and the use of Student Experience of Learning and Teaching (SELT) surveys as well as GOS surveys and Program reviews.

SELTs are an important source of information to inform individual teaching practice, decisions about teaching duties, and course and program curriculum design. They enable the University to assess how effectively its learning environments and teaching practices facilitate student engagement and learning outcomes. Under the current SELT Policy (http://www.adelaide.edu.au/policies/101/) course SELTs are mandated and must be conducted at the conclusion of each term/semester/trimester for every course offering. Feedback on issues raised through course SELT surveys is made available to enrolled students through various resources (e.g. MyUni). In addition aggregated course SELT data is available.
Student Support
Policies & Guidelines
This section contains links to relevant assessment-related policies and guidelines - all university policies.
Fraud Awareness

Students are reminded that in order to maintain the academic integrity of all programs and courses, the university has a zero-tolerance approach to students offering money or significant value goods or services to any staff member who is involved in their teaching or assessment. Students offering lecturers or tutors or professional staff anything more than a small token of appreciation is totally unacceptable, in any circumstances. Staff members are obliged to report all such incidents to their supervisor/manager, who will refer them for action under the university's student鈥檚 disciplinary procedures.

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Authorised by:	Deputy Vice-Chancellor and Vice-President (Academic)
Maintained by:	Course Outlines Administrator

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