成人大片

athanasios.lazarou@adelaide.edu.au
Rm 311c Lvl 3, Architecture Bldg

Tutors: Jesse Zilm

The typical weekly schedule includes:
1x 1hr lecture: Mondays 4-5pm, Darling West Lecutre Theatre
1x 2hr tutorial: Fridays (wk1-6, 8-10), Margaret Murray Room, Union House
1x 2hr workshop: Fridays (wk11,12), Barr Smith South 539 Computer Suite

Check access Adelaide for your workshop and tutorial group times.

On successful completion of this course, students will be able to:

1. identify the importance of communication in the design context and apply disciplinary conventions in their assessable work

2. apply graphic and spatial thinking through the continuing practice of drawing

3. generate, read and interpret orthographic drawings, paraline drawings and perspective drawings.

4. demonstrate various analogue techniques of representation both in 2D and 3D

5. employ basic digital tools to use in combination with analogue tools

There are no set or prescribed texts or resources for purchase in this course. However, the following books are highly recommended to have as a reference book as an architect that you can refer to for the rest of your career.
- Ching, F., (1998) Design Drawing, WileyPress.
- Delancy, M.,Gorman, A. (2015) Studio Craft & Technique for Architects, Laurence King Publishing.

Much material will be available online or will be given through lectures and tutorials. In addition students will be expected to structure and undertake their own research, that is, to locate and read material relevant to the project and particularly their chosen topic and argument.

You will need continual access to MyUni for regular updates and course material.

Please refer to the ‘Eckersleys’ equipment list on the course website and also available from the Architecture school reception. This list is considered the basic equipment/material requirement for most of the courses that you will undertake in the Bachelor of Architectural Design / Engineering (Architectural) and beyond. There will be some additional art materials required for this subject. For example a heavier weight paper for specific tasks. You will be informed of these in advance of requirement.

The lecture will also facilitate discussion to course related matters.

All students are expected to read and be familiar with all provided course information available on MyUni..

Speaker Series:The School has lecture series where respected practitioners and academics from the field deliver a public lecture on
contemporary architectural practice. In order to expand your knowledge of contemporary directions in design it is recommended that you attend these sessions. The sessions are held in the HoraceLamb Lecture Theatre, and the detail of dates and speakers is available from the School website and the Front Office.

Ching, F., (1990) Drawing, a Creative Process, Van Nostrand Reinhold.

Delancy, M.,Gorman, A. (2015) Studio Craft & Technique for Architects, Laurence King Publishing.

Farrelly, L(2007) Basics Architecture 1:Representational Techniques, AVA Publishing.

Gill, R.W., (1975) Creative Perspective, Thames & Hudson

Hanks, K., (1977) Drawing: a Visual Approach to Thinking, Learning and Communicating, Los Altos.

Hanks, K., (1980) Rapid Viz: A New Method for Rapid Visualization f Ideas, Los Altos.

Luscombe, D. and Peden, A., (1992) Picturing Architecture, Craftsman House.

Milton, H., (ed.), (1993) Glossary of Australian Building Terms, Sydney Building Information Centre.

Montague, J., (1988) Basic Perspective Drawing: A Visual Approach, New York: Wiley Press.

Powell, D., (1990) Presentation Techniques: A Guide to Drawing and Presenting Ideas, Macdonald.

Spankie, R., (2009) Drawing Out the Interior, AVA Publishing.

Standards Australia (1992) AS1100.101-1992 Technical Drawing - Part 101:General principles, Standards

Standards Australia (1985) AS1100.301-1985 Technical Drawing - Part 301:Architectural drawing

Taylor, A., (1992) Introduction to Construction Drawing, Prentice Hall.

Thomson, A., (1993) Introduction to Construction Drawing, Edward Arnold.

Unwin, S., (2003) Analysing Architecture, Routledge

Wilkie, G. and Arden, S., (1993) Building Your Own Home, Lansdowne Press.

Yee, R., (1997) Architectural Drawing: A Visual Compendium of Types and Methods, Wiley.

Zell, Mo (2008) The Architectural Drawing Course, Thames & Hudson

Lecture recordings, image pdfs, hand-outs, links for further reference and additional material considered of interest will be posted on the MyUni website following the relevant class.

University Email:The school uses the University email system to get in touch with the students. So it is imperative that you check your email regularly and keep up to date with any new announcements.

Use Discussion board on MyUni affectively to communicate with fellow classmates as well as tutors and lecturers.

Lectures (Darling West Lecture Theatre)
Students are required to attend lectures as these will provide the initial basis for further discussion and critique toward development of assessable outputs. Lectures may not be recorded. PDFs of slides may be provided but these may not contain critical verbal
explanations of visual material. A range of lectures will background the diverse range of understandings and practice of ‘representation’. This is also a place of opportunity to communicate and recieve feedback from Course coordinator.

Tutorials (Union House 432 Margaret Murray Room)
Time will be devoted to presentations of assessable assignment material and some exercises supporting delivery of the assignments. They are also the primary means to receiveindividual feedback via work-in-progress reviews. At this level of learning, peer review and commentary is encouraged as a valuable learning tool, both in offering comment on fellow-students’ work and in receiving and responding to comment on your own work. It is considered desirable to change and evolve yourposition throughout the course. Tutorials involve discussion and revision of points of view.

Workshops (Barr Smith South, 539, Arch Computer Suite)
Similar to tutorials, but will be held in computer lab where skills on computer will be demonstrated as well as getting direct feedback on given tasks on computer.

This is a 3 unit course. Students in this course are expected to attend 3 hours of lecture/tutorial each week and allow for 9 hours of
self-directed learning each week. That is a total of 12 hours a week for 12 weeks. The tutorials and other activities, including reviews of work in progress are an important component of learning in this course. The communication skills developed by regularly and actively participating in activities and discussions are considered extremely important by the School and are highly regarded by employers and professional bodies.

Schedule

Week	LECTURE	TUTORIAL/WORKSHOP	SUBMIT
1	Welcome/Design Thinking	Model-Making
2	No Lecture (Public Holiday)	Crits/Model-Making	Ass1a due
3	Why We Draw	Peer Crits/Box-Making	Ass1b due
4	How We Draw	2-D Drawing	Ass2a due
5	Design Communication	2-D Drawing
6	Abstraction/Creativity	Making Volume	Ass2b due
Mid-Semester Break
7	No Lecture	No Tutorial
8	Isometric Drawing	Isometric	Ass3a due
9	2D Representation: Paraline Drawings	1-Point Perspective
10	2D Representation: Perspective Drawings/images	2-Point Perspective
11	Workshop 1	Collage
12	Workshop 2	Poster Layout
13			Ass3b due

Lectures are on Mondays 4pm-5pm in Darling West Lecture Theatre. Tutorials are on Fridays in Union House 432 Margaret Murray Room. Workshops (wk11,12) are on Fridays in Arch computer suite.

This course requires attendance at all lectures, tutorials, and workshops as outlinedin the Weekly Schedule. It is anticipated that students will spend time outside designated class hours in learning and progressing of their project.

THere is no explicit small group discovery experience for this course.

Assessment Task	Due Date/ Week	Weight	Length(Word,Time)	Learning Outcomes
Quiz	Weeks 1 - 11	5%	NA	1-4
PARTICIPATION (attendance + visual diary)	Weeks 1 - 11	10%	NA	1-4
A1: WHO ARE YOU (your name + your dream)	16 Mar, Week 3	15%	TBA	1-4
A2: BOX DRAW YOU (box + drawing)	20 April, Week 6	20%	TBA	1-4
A3: VOLUME FOR YOU (3D + 2D)	1 June, Week 12	50%	TBA	1-4
Total		100%

It is recommended that you own a device with wifi connection such as tablet which you can bring to each class. If you are getting a personal laptop computer, it is recommended that it can support computer software such as Rhino, photoshop, illustrator, indesign.
Ideal spec for student laptop: 17 inch, Windows 64 bit, minimum of 16 gig of RAM, Intel i7 (or equivalent). Nvidia GeForce GTX 260 or higher; ATI Radeon HD 4890 or better.

0- Quiz
There will be a quiz at the end of each lecture. The quiz can only be taken in class and will be possible to make up for the quiz before or after the class.

0- Participation
Visual Diary: Students are to keep a visual diary for the semester.
- draw minimum 4 sketches per week of hand, object, nature, architecture
- write/draw alphabet once a week.
- use black medium to sketch, ie pencil, pen, charcoal etc.
- use may use the diary to take notes in lectures and tutorials.
- note or sketch your dream until you complete assignment 1b.
- date and title each page, neatly
- Due 25 May (wk11)
Tasks: At each tutorials and workshops, there will be qtask to be completed before the end of class. You will be instructed to submit evidence of task on MyUni in each class.
Attendance: Participation in both lectures and tutorials/workshops are required. Attendance will be taken at each session.


1- Assignment 1: Who Are You?
1a: Visualize your name as 3 dimensional creation. In other words, represent yourself as 3 dimensional abstraction. Think about what your name means, who you are, who you aspire to be, where you come from, what you like etc… You are free to explore any material to use for your creation, be creative, exploratory. It should be minimum A5 maximum A3.
- Due 9 March (wk02) in tutorial
1b: Visualize your dream. Pay attention to what you dream from first day of class. Keep your visual diary by your bed, remember to take note/sketch of it as soon as you wake up. Choose an unusual incident such as scene, object, character and represent it as 3 dimensional object. You are free to explore any material to use for your creation, be exploratory. It should be minimum A5 maximum A3.
- Due 16 March (wk03) in tutorial

**Also submit photographs for each creation on MyUni by 17 March.

Assessment Criteria
- creative thinking/ solution to the problem
- exploration of material use in creation
- joy/amusement in the solution


2- Assignment 2: Box Draw You
2a: Create a tight fitting box encasing your name and dream. Box is to be created with cardboard material. The box must have 6 sides, 90 degree angles, which 3 sides are fixed and remaining 3 to be removable. It must be crafted with precision and clean craftsmanship.
- Due 23 March (wk04) in tutorial
2b: Draw orthographic projections of your box and its content. Plan, elevation, section.
- Due 20 April (wk06) in tutorial

**Also submit photographs of the box and scanned drawings on MyUni by 21 April.

Assessment Criteria
- craftsmanship of the box
- critical eyes, observation to detail in drawing
- understanding of orthographic projections
- representation of intention in drawings


3- Assignment 3: Volume for You
3a: Create an abstract volume for yourself derived from previous two assignments, you and your dream. Use board material with minimum 2 mm in thickness such as foamcore, chipboard and matt board, but no cardboard.
- Due 04 May (wk08) in tutorial
3b: Create a A1 board which represents your volume. The board should include the following contents which are to be laid out clearly using Indesign to produce final A2 board.
- plan and elevation
- Section with one point perspective
- two point perspective exterior view
- axonometric (plan oblique) drawing
- collage using photoshop showing atmosphere
- title, name, date, explanation
- Due 01 June (wk12) 11am

**Also submit photographs of your volume and PDF file of the board on MyUni by 02 June.

Assessment Criteria
- creative intent and development of the volume
- craftsmanship of the volume
- understanding of orthographic/axonometric drawing
- understanding of perspective drawing/image
- Clarity and composition of the board layout


**Details of the assignments may change during the semester. It will be announced in class, email or through MyUni.**

Submission requirements are detailed in the assignment hand-out sheets, and will be available on MyUni. University and School policies apply. Students will receive regular feedback on work in tutorials and may make appointments at other times to discuss any concerns regarding submission requirements.

The submission dates and locations for the assignments associated with this course are listed above and will be detailed in the hand-out sheets and on MyUni.